PDF Ebook , by Kristin Fields

PDF Ebook , by Kristin Fields

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, by Kristin Fields

, by Kristin Fields


, by Kristin Fields


PDF Ebook , by Kristin Fields

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, by Kristin Fields

Product details

File Size: 3705 KB

Print Length: 274 pages

Publisher: Lake Union Publishing (April 1, 2019)

Publication Date: April 1, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07F6CHPNX

Text-to-Speech:

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Amazon Best Sellers Rank:

#7 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This novel is absolutely heart wrenching. I don’t generally read books like this but this one is very well written. I chose this as my Kindle First Read because I mistakenly thought it was more of a suspense novel with ballet thrown in. This book is very much a drama and not about the search for a missing girl. This story is about the broken pieces left behind when one is missing. How does a family move on with their youngest member has disappeared? The first half of the novel is from the perspective of 11 year old Esme as her world falls apart. The second half is Esme as an adult struggling with potential news and reconciling with her childhood and her family. It is a portrait of raw grief but it leads to Esme being able to dance through anything. Ballet is a string part of the novel but very much secondary to the loss and the absence that Lily’s disappearance leaves behind.As I said I don’t generally read novels like this but I could not put it down. By the end I wanted more of these characters and this very real world created. I wanted to know what the next chapter would look like for this family. If you like drama and serious stories than I think you will appreciate this one. If it helps this novel does not contain anything dark or difficult to read. I hate novels that do anything to children. This novel is really about a family left behind and there’s nothing graphic in the resolution and there will be a resolution to her disappearance. But again it’s not a suspenseful resolution where you are trying to figure out the answer. A very well written story that I read very quickly. Personally I agree with it being listed as Women’s Fiction but not Coming of Age. The subject matter is too dark for a young person to read and the sequence of events where she is an adult is too mature.

A Lily in the Light is a stunning debut - unputdownable - that moves through grief and ambition and pulls at your heartstrings the entire time.

Bear with me a moment, folks. When I looked over this month’s First Reads, I didn’t see much of interest. At all. I almost decided to read something else on my towering TBR pile instead, but then, I spotted this book in the category “Book Club Fiction.” What is that, exactly? A book replete with all sorts of sentimental and sugary pablum, family and romantic relationships hitting érocks the size of pebbles, eventual maturity with an obligatory dollop of forgiveness, and a neatly tied-up happily-ever-after finale that calls for lace handkerchiefs to come out and dab delicately at eyes?I don’t know a thing about book clubs. I suspect they would read books I’d hate, and because I rarely temper my dissenting opinions, I’d be tossed out of any book club on my denim-clad posterior.So I took a chance, mentally giving this book a big eye roll for what seemed like the all-too-clichéd trope of a child who vanishes mysteriously, a fractured family, a main character carting buckets of guilt, and then spending years of wondering what happened. The twist was the inclusion of ballet, and as a genetically clumsy person who couldn’t plié if my life depended on it, I have always adored ballet.Being initially wrong about a book’s premise and the likelihood that I’ll hate it is always a surprise, and refreshing. So I was wrong, and I really liked this book.The protagonist, Esme [I really like that name!] is eleven, an aspiring ballerina with sweaty, smelly feet, a detail you rarely encounter but one that is amazingly accurate. Lily is her four-year-old sister who waits for Esme’s dance classes to end, accompanied by their mother, the improbably named Cerise, who is not quite as bad as those awful women in Dance Moms, but close enough. So by the first five or six pages, these three characters have been deftly described; they have strong skeletons that the author will continue to flesh out, little detail by little detail. Then the rest of the family appears, the older sister Madeline, tense, impatient, self-centered, Nick, seventeen, slovenly, rebellious, and sullen, and Andre, the father who drives a taxi and seems at a loss in the midst of his loud, squabbling family. What could be banal in the hands of an average writer is saved by quirky, unobtrusive details of two parents and four children on the edge of Port Washington, a considerable remove from the glitter of New York City.Speaking in a child’s voice is difficult, and I’ve read a few books that manage to get it right. Oddly enough, Stephen King is probably the best with authentic kidspeak. Yet Esme, who tells the story from the beginning, is a perfectly believable pre-teen worrying about dancing en pointe, and expressing that worry and all the other bits and pieces of her ordinary life—except for ballet—as a child her age would. If it seemed to be a little more telling than showing, I didn’t mind because the story’s flow was neither hampered nor slowed.The pivotal point of Lily’s disappearance also missed the usual Lifetime Movie scenario because it was Esme who experienced it from her still childish point of view. And the years that passed after this moment showed a mature dancer, but one with a hole in her heart. That too could have been a Hallmark Moment, again saved by the author’s refusal to use stock material. Fortunately, the world of ballet survived, and danced on. I’m grateful for that. And the ending? That “Who knew?” revelation we’ve all seen before countless times in print and on cable, but this time… well, I won’t spoil it.At the end here, I must say I haven’t encountered a done-to-death trope rescued so adroitly from further inanity with such cleverness, and such maturity. Rather ruined Lifetime Movie Network for me, though.If I’d been invited to join a book club, and the club chose to read this book, I would have kept my membership intact, behaving myself, offering deserved praise, and not pilling my wine. Who knew, indeed?

A Lily in the Light is a tender, heart-wrenching novel that considers the long-ranging effects of shattering loss upon a young dancer and her family. A haunting and beautifully rendered tale of survival and the careful tending to a wild and desperately needed hope. Highly recommended.

1.5 STARSEleven-year-old aspiring ballerina Esme’s life changes the day her little sister Lily disappears. Eight years later, older sister Madeline calls Esme in Paris with startling news.Either I have terrible luck choosing Amazon Prime Read First Books, or those books aren’t very good. I enjoy books about child abductions and stories about ballerinas, so I was excited to start reading A LILY IN THE LIGHT. Kristin Fields came up with a great premise, but the execution lacked both tension and emotion.Esme was an easy character to embrace. I wanted to be able to feel her heart.The writing was fine., though lacked a distinct voice. I kept wanting more from the story. I wanted to care and just didn’t.I bumped by rating up to 2 stars, because I did care enough to finish.

I weeped reading this. All the emotions each family member felt were so real and valid and excruciating. We had a family experience and it brought forth all those emotions. Very well written.

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